front cover of American Literary Minimalism
American Literary Minimalism
Robert C. Clark
University of Alabama Press, 2015
Fills a need for a comprehensive study of this twentieth-century literary movement
 
Although a handful of books and articles have been written about American literary Minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Ann Beattie was asked how she felt about being “classed as a minimalist,” she began her answer: “none of us have ever known what that means.” Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary Minimalism. Robert C. Clark’s American Literary Minimalism fills this significant gap.
 
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the Imagists and literary Impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,” and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of Minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
 
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway’s In Our Time; Raymond Carver’s Cathedral; Jay McInerney’s Bright Lights, Big City; Susan Minot’s Monkeys; Sandra Cisneros’s Caramelo; and Cormac McCarthy’s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.
 
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An Anatomy of The Turn of the Screw
By Thomas Mabry Cranfill and Robert Lanier Clark, Jr.
University of Texas Press, 1965

The ambiguous intent of Henry James’s horror story The Turn of the Screw has fascinated and divided its readers since its publication in 1898. The division arises between the apparitionists and the nonapparitionists in interpretation of the plot and the characters. Thomas Mabry Cranfill and Robert Lanier Clark, Jr., have here taken up the argument and made an interpretation of their own.

The authors carefully considered the mountainous critical comment, studied James’s statements regarding his intent, and minutely scrutinized the story itself. After all this probing of opinions and following of clues and observing of human beings in action, they have come out strongly on the side of the nonapparitionists.

The authors base their conclusion on analyses of character, centrally that of the governess, whom they consider the protagonist of the fearsome drama, but peripherally those of Mrs. Grose, the children, the uncle in Harley Street, and even the deceased Miss Jessel and Peter Quint. Relentlessly they relate every episode, action, and speech to the character of the governess and her relationships with those around her at Bly, picturing her as a psychological “case” whose abnormal mental state brings to those around her the inescapable misery they all suffer.

 The authors’ analysis unfolds as interestingly in terms of character and motive as if the reader did not already know what happens in James’s much-read story. It moves, moreover, with something of the same suspense as James’s horror tale, although the tension is intellectual rather than emotional. Each additional disclosure of evidence, the resolution of each situation, and the clarification of every puzzling ambiguity builds the analysis step-by-inevitable-step to its inescapable conclusion.

 The style of the analysis is graceful, urbane, and witty. The introduction gives an excellent appraisal of literary comment on James’s story and an illuminating summary of the literary “war” over the meaning of it; the bibliography provides an impressive list of books and articles on this subject, annotated to indicate in what particular ways each makes a contribution to the controversy.

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The Basque Insurgents
ETA, 1952–1980
Robert P. Clark
University of Wisconsin Press, 1984

Blamed, at first, by the Spanish government for the recent Madrid train bombings, ETA (Euzkadi ta Askatasuna), the Basque nationalist organization, has been perhaps the most violent insurgent group on the European continent. Yet little is known about it outside of Spain. This book, now back in print, offers a full analytical study of ETA.

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The Basques
The Franco Years and Beyond
Robert P. Clark
University of Nevada Press, 1979

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My Victorians
Lost in the Nineteenth Century
Robert Clark
University of Iowa Press, 2019
My Victorians is a hybrid in both form and content, part memoir/extended lyric essay but also a work of biography, photography, and cultural, literary, and art history. This is a travelogue of writer Robert Clark’s attempt to work through a sudden and inexplicable five-year-long obsession focused on Victorian novelists, artists, architecture, and critics. He wends his way through England and Scotland, meticulously tracking down the haunts of Charles Dickens, George Gissing, John Millais, the Bloomsbury Group, and others, and documenting everything in ghostly photographs as he goes.

As Clark delves deeper into the Victorian world, he wonders: What can its artists offer a twenty-first century writer by way of insight into his own life and work? His obsession with Victoriana bleeds into all aspects of his life, even the seemingly incongruous world of online dating. My Victorians is in the spirit of Geoff Dyer’s Out of Sheer Rage and Rebecca Mead’s My Life in Middlemarch. This book considers what happens when heartbreak, eros, faith, and doubt drive us to take refuge in the past.
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Negotiating With Eta
Obstacles To Peace In The Basque Country, 1975-1988
Robert P. Clark
University of Nevada Press, 1990

Since the late 1960s, the Basque insurgent organization ETA (Euzkadi ta Askatasuna, or Basque Homeland and Freedom) has been engaged in a violent struggle against the Spanish state in an effort to gain the independence of the Basque Country. ETA violence has led to the death of hundreds of people, making the organization the most violent insurgent group in Europe. Between 1975 and 1988, nearly thirty attempts to negotiate an end to violence, with a few limited exceptions, all ended in failure. This important book examines why the efforts to negotiate have failed and makes suggestions on how to improve the chances for successful discussion in the future. Although Clark does not disprove the conventional wisdom that negotiation with terrorists is a bad idea, he does begin from the opposing point of view that there may be some positive values to be realized from such negotiation.Negotiating with ETA describes the various factions that are interested in the outcome of such negotiations and the Spanish antiterrorist policy throughout the period under examination. The book also recounts the early attempts to negotiate, the first attempt at "social reintegration," various attempts by the Basque Government to get negotiations started, negotiation efforts under the Spanish socialist government of Felipe González, and the lengthy negotiations that took place in Algeria. A wide range of scholars and specialists will find this book valuable, including those interested in contemporary Spanish politics, ethnic nationalism, Basque affairs, the problem of terrorism, and conflict resolution.

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front cover of The Outlaws of Cave-in-Rock
The Outlaws of Cave-in-Rock
Otto A. Rothert. Foreword by Robert Clark
Southern Illinois University Press, 1996

Exceptionally rare and valued by book collectors, Otto A. Rothert’s riveting saga of the outlaws and scoundrels of Cave-in-Rock chronicles the adventures of an audacious cast of river pirates and highwaymen who operated in and around the famous Ohio River cavern from 1795 through 1820 (adventures featured in Disney’s Davy Crockett and the film How the West Was Won). Once sporting the enticing sign "Liquor Vault and House for Entertainment," this beautiful cavern location decoyed the unsuspecting by offering a venue for food, drink, and rest.

Compellingly lively, The Outlaws of Cave-in-Rock is nonetheless the work of a scholar, a historian who documents his findings and leaves a detailed bibliographical trail. Presenting many eyewitness accounts, Rothert supplies the lore and legend of the colorful villains of Cave-in-Rock. Always maintaining the difference between stories he tells with historical authority and those that are pure speculation, Rothert provides both a fascinating narrative and a valuable regional history.

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